"First, I got myself born": A Contemporary Take on Dickensian Motherhood in Demon Copperhead (2022)

The Desiring Widow in Anthony Trollope's The Eustace Diamonds and Rabindranath Tagore's Chokher Bali

Articulating Self and Other: Edward Henry Palmer—"Sheikh Abdallah"—and the Middle East

Speaking with the Dead: Resurrective Reading and Pneumatological Imagination in George MacDonald

"He strove that such innocent creatures should come to no harm": Thomas Hardy and the RSPCA

The Chartist Press and the Emergence of a Plebeian Public Sphere: Doubleday's The Political Pilgrim's Progress and O'Brien's The Rise, Progress and Phases of Human Slavery

"First, I got myself born": A Contemporary Take on Dickensian Motherhood in Demon Copperhead (2022)

The Desiring Widow in Anthony Trollope's The Eustace Diamonds and Rabindranath Tagore's Chokher Bali

Articulating Self and Other: Edward Henry Palmer—"Sheikh Abdallah"—and the Middle East

Speaking with the Dead: Resurrective Reading and Pneumatological Imagination in George MacDonald

"He strove that such innocent creatures should come to no harm": Thomas Hardy and the RSPCA

The Chartist Press and the Emergence of a Plebeian Public Sphere: Doubleday's The Political Pilgrim's Progress and O'Brien's The Rise, Progress and Phases of Human Slavery